Incorporating performance, painting, photography, video, sculpture and installation, The Fraud Complex invites audiences into a system of suspended categories. Objects of uncertain provenance co-mingle with artworks, inciting suspicions of duplicity and feelings of doubt. While contemporary art has a complicated relationship with fakes, facsimiles and impersonations, the question of authenticity has relevance beyond the white cube, penetrating everyday debate around gender, ethnicity, morality and science. What constitutes a fraud? Is authenticity an achievable or relevant ideal? And are we all just ‘faking it’ in different ways?